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Reflect space through the point of an object: unfolds in reverse on the other side, hits the walls there like a shadow. Repeat the process: reflect this space through the object. The object becomes condensedspace in itself, spaces staggered and stacked. Andso the spacepiece, roomthing stands there, coreless, vacant, a gaping hatch, yet charged to the brim. With space! A static, starless constellation; perhaps a small-scale model of a private room, of one’s favourite piece of furniture. One imagines it might itself receive something like its double as content. A crumpled-up page from an auction catalogue; a stillborn Christ.
Consider counting. Onetwo three,, two, one. A humanrelies on tapping things. Percuss the chaos. What emerges is a rhythm, a movement.It can be strained, almost inverted, as if it were trapped between the tied up hands of the dullest of all mantlepiece clocks. Then accelerate all of a
sudden, like a ribcage that snaps after yearlong nightlong tensions from within the…
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Reflect space through the point of an object: unfolds in reverse on the other side, hits the walls there like a shadow. Repeat the process: reflect this space through the object. The object becomes condensedspace in itself, spaces staggered and stacked. Andso the spacepiece, roomthing stands there, coreless, vacant, a gaping hatch, yet charged to the brim. With space! A static, starless constellation; perhaps a small-scale model of a private room, of one’s favourite piece of furniture. One imagines it might itself receive something like its double as content. A crumpled-up page from an auction catalogue; a stillborn Christ.
Consider counting. Onetwo three,, two, one. A humanrelies on tapping things. Percuss the chaos. What emerges is a rhythm, a movement.It can be strained, almost inverted, as if it were trapped between the tied up hands of the dullest of all mantlepiece clocks. Then accelerate all of a
sudden, like a ribcage that snaps after yearlong nightlong tensions from within the…
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More Exhibitions at Établissement d'en face
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