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“The Sun sets on Western double standards” Bowl of Muesli, 1879.
A chance encounter with a wall painting in Prague depicting Pandas teaching children to paint. The discovery of a memorial to “witch” burning in 1690 in Sindelfingen next to the Church of St Martin. The Church of St Martin transforms, in Andrew’s imagination, in to a structure covered with a living texture of Tiger fur. Like a Friday night, bored, watching YouTube on a Leek Phone, the images, constant adverts and information all mix together. Andrew sees a photo of Qui Jin, holding a knife, in the Zhejiang Provincial Museum in Hangzhou, the martyred feminist revolutionary (1875-1901) becomes a Holy Brocoli whose mystic powers are fueled by Chinese Red Bull and Binlang. And then back into the Tiger fur Church…
In Chufan Wang’s essay on the work of Andrew Gilbert “The Angelus Novus of History and Andrew’s Theater” (published by the Delta Inst, Hangzhou, 2025) she draws a parallel between Andrew’s visions and Walter…
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Press Release
“The Sun sets on Western double standards” Bowl of Muesli, 1879.
A chance encounter with a wall painting in Prague depicting Pandas teaching children to paint. The discovery of a memorial to “witch” burning in 1690 in Sindelfingen next to the Church of St Martin. The Church of St Martin transforms, in Andrew’s imagination, in to a structure covered with a living texture of Tiger fur. Like a Friday night, bored, watching YouTube on a Leek Phone, the images, constant adverts and information all mix together. Andrew sees a photo of Qui Jin, holding a knife, in the Zhejiang Provincial Museum in Hangzhou, the martyred feminist revolutionary (1875-1901) becomes a Holy Brocoli whose mystic powers are fueled by Chinese Red Bull and Binlang. And then back into the Tiger fur Church…
In Chufan Wang’s essay on the work of Andrew Gilbert “The Angelus Novus of History and Andrew’s Theater” (published by the Delta Inst, Hangzhou, 2025) she draws a parallel between Andrew’s visions and Walter…
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