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It was the end of that sublime reign of the *** Empire. The extensive wars of President ***, while draining the state’s treasury and exhausting the substance of the people, nevertheless contained the secret that led to the prosperity of a swarm of those savvy entrepreneurs who are always on the watch for public calamities, which instead of appeasing they promote or invent so as to profit from them all the more. It was during the frenzy of those radiant days that the greatest number of these mysterious fortunes emerged whose origins are as obscure as the lust and debauchery that accompany them1.
Night in that dear city, sister Sodom. In 2025, an exhibition of new paintings by Sam Lipp at Derosia. Lipp presents images of bodies dislocated from authority. A painted mugshot of the infamous Ravachol (33 years. Condemned); and pictures of Seconal, a kind of barbiturate (street name reds, dolls) for “Sleep That Makes the Darkness Brief” (Eli Lilly, 1948). The paintings are...More
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Press Release
It was the end of that sublime reign of the *** Empire. The extensive wars of President ***, while draining the state’s treasury and exhausting the substance of the people, nevertheless contained the secret that led to the prosperity of a swarm of those savvy entrepreneurs who are always on the watch for public calamities, which instead of appeasing they promote or invent so as to profit from them all the more. It was during the frenzy of those radiant days that the greatest number of these mysterious fortunes emerged whose origins are as obscure as the lust and debauchery that accompany them1.
Night in that dear city, sister Sodom. In 2025, an exhibition of new paintings by Sam Lipp at Derosia. Lipp presents images of bodies dislocated from authority. A painted mugshot of the infamous Ravachol (33 years. Condemned); and pictures of Seconal, a kind of barbiturate (street name reds, dolls) for “Sleep That Makes the Darkness Brief” (Eli Lilly, 1948). The paintings are...More
