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How should Yvonne Rainer be read, seen, and especially exhibited today? At the height of minimalism in the 1960s, the choreographer and filmmaker (born in 1934 in San Francisco) lost all desire for objectivity as a performer, preferring to explore the emotions at play in human, social and sexual relations. The exhibition takes its title from the term “reader” in two of its senses: a publication assembling a set of texts by one author, and the very position of the person who reads.
This format has been transposed into the art centre to create a novel form of interdisciplinary exhibition that brings together dance, cinema, performance, video, visual arts, literature, and archives. Dance after dance, performance after performance, film after film, essay after essay, Yvonne Rainer has never stopped reinterpreting her position as an artist, developing a critical point of view on the masculinism of the New York avant-garde, on postmodernism, and on an essentialist feminism that in many…
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Press Release
How should Yvonne Rainer be read, seen, and especially exhibited today? At the height of minimalism in the 1960s, the choreographer and filmmaker (born in 1934 in San Francisco) lost all desire for objectivity as a performer, preferring to explore the emotions at play in human, social and sexual relations. The exhibition takes its title from the term “reader” in two of its senses: a publication assembling a set of texts by one author, and the very position of the person who reads.
This format has been transposed into the art centre to create a novel form of interdisciplinary exhibition that brings together dance, cinema, performance, video, visual arts, literature, and archives. Dance after dance, performance after performance, film after film, essay after essay, Yvonne Rainer has never stopped reinterpreting her position as an artist, developing a critical point of view on the masculinism of the New York avant-garde, on postmodernism, and on an essentialist feminism that in many…
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Artists
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Guestbook
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