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Contemporary Art Gallery•Apr 17, 2026 — Sep 13, 2026
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Across painting, sculpture, installation, photography, and poetry, Ser Serpas engages with the transient and residual. Performance is central to her wide-ranging practice, with her works manifesting the energy of their creation in unstable and improvised forms. Her paintings, in particular, both depict and are formed by physical distress, their surfaces characterized by a sense of generative deterioration and a deteriorating generation.
At the Contemporary Art Gallery, Serpas exhibits a suite of new large-scale paintings: sets of mirroring images made by imprinting or “kissing” one canvas to another while still wet. In contrast to the fleshy portraits in painterly fields for which she is known, these paintings feature a more greyscale palette, dissolving their figures into voids of stained canvas. Flirting in the exhibition’s title with “rent boys” or sex workers, Serpas contends here with the movement of bodies within the narrowing spaces – both public and private – of the…
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rent
Contemporary Art Gallery•Apr 17, 2026 — Sep 13, 2026
Press Release
Across painting, sculpture, installation, photography, and poetry, Ser Serpas engages with the transient and residual. Performance is central to her wide-ranging practice, with her works manifesting the energy of their creation in unstable and improvised forms. Her paintings, in particular, both depict and are formed by physical distress, their surfaces characterized by a sense of generative deterioration and a deteriorating generation.
At the Contemporary Art Gallery, Serpas exhibits a suite of new large-scale paintings: sets of mirroring images made by imprinting or “kissing” one canvas to another while still wet. In contrast to the fleshy portraits in painterly fields for which she is known, these paintings feature a more greyscale palette, dissolving their figures into voids of stained canvas. Flirting in the exhibition’s title with “rent boys” or sex workers, Serpas contends here with the movement of bodies within the narrowing spaces – both public and private – of the…

























