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Cibrián: For your exhibition Pire, Miche, Yoko, Stone… at Cibrián, you show seven sculptures that take the form of mailboxes. On these sculptures, self-contained units, the viewer can see logos of printer/plotter, tire and prepaid telephone international companies, as well as nameplates with sloppy handwriting, traces of unknown inhabitants. The proliferation of mailboxes in the space and their symbolic generosity leave the viewer facing an experience both common and unique. Can you tell us about the origin of these works?
Francesc Ruiz: The exhibition shows a body of work that epitomizes the installations I made at the CA2M in Móstoles in 2020 and at the EACC in Castellón in 2022, where I was able to work around the idea of printed capitalism coined by Benedict Anderson, but expanded on the one hand to what I call the printernet and on the other hand to what would be...More
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Press Release
Cibrián: For your exhibition Pire, Miche, Yoko, Stone… at Cibrián, you show seven sculptures that take the form of mailboxes. On these sculptures, self-contained units, the viewer can see logos of printer/plotter, tire and prepaid telephone international companies, as well as nameplates with sloppy handwriting, traces of unknown inhabitants. The proliferation of mailboxes in the space and their symbolic generosity leave the viewer facing an experience both common and unique. Can you tell us about the origin of these works?
Francesc Ruiz: The exhibition shows a body of work that epitomizes the installations I made at the CA2M in Móstoles in 2020 and at the EACC in Castellón in 2022, where I was able to work around the idea of printed capitalism coined by Benedict Anderson, but expanded on the one hand to what I call the printernet and on the other hand to what would be...More
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