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Andrew Kerr’s practice has generally been understood as one rooted in the hermetic space of the studio, with the artist returning to a modest set of painterly materials – ready to be tried and tested again. Paintings on paper have been a focus over recent years, in size and theme related to the tradition of easel painting – from Georges Braque to Prunella Clough and Raoul de Keyser. These lyrical works depict relationships between shapes and colours organised in relatively shallow pictorial space. Their enigmatic final forms can resemble vessels, emblems, still lifes or landscapes.
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Press Release
Andrew Kerr’s practice has generally been understood as one rooted in the hermetic space of the studio, with the artist returning to a modest set of painterly materials – ready to be tried and tested again. Paintings on paper have been a focus over recent years, in size and theme related to the tradition of easel painting – from Georges Braque to Prunella Clough and Raoul de Keyser. These lyrical works depict relationships between shapes and colours organised in relatively shallow pictorial space. Their enigmatic final forms can resemble vessels, emblems, still lifes or landscapes.
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Artist
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