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Andrew Kerr’s practice has generally been understood as one rooted in the hermetic space of the studio, with the artist returning to a modest set of painterly materials – ready to be tried and tested again. Paintings on paper have been a focus over recent years, in size and theme related to the tradition of easel painting – from Georges Braque to Prunella Clough and Raoul de Keyser. These lyrical works depict relationships between shapes and colours organised in relatively shallow pictorial space. Their enigmatic final forms can resemble vessels, emblems, still lifes or landscapes.
While sculpture has played a part in his work, a new approach appears to have unfolded across the spaces of BQ. Andrew was in discussion about the exhibition with the gallery for several months and stayed in Berlin for the majority of November to develop the installation. His method is site-specific, with the gallery gradually becoming a kind of stage set, its character altered, adorned and rearranged like…
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Press Release
Andrew Kerr’s practice has generally been understood as one rooted in the hermetic space of the studio, with the artist returning to a modest set of painterly materials – ready to be tried and tested again. Paintings on paper have been a focus over recent years, in size and theme related to the tradition of easel painting – from Georges Braque to Prunella Clough and Raoul de Keyser. These lyrical works depict relationships between shapes and colours organised in relatively shallow pictorial space. Their enigmatic final forms can resemble vessels, emblems, still lifes or landscapes.
While sculpture has played a part in his work, a new approach appears to have unfolded across the spaces of BQ. Andrew was in discussion about the exhibition with the gallery for several months and stayed in Berlin for the majority of November to develop the installation. His method is site-specific, with the gallery gradually becoming a kind of stage set, its character altered, adorned and rearranged like…
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More Exhibitions at BQ
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