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Elbows marks Jan Vorisek’s second solo exhibition with the gallery. His practice spans institutional exhibitions, artist-run spaces, and galleries, extending into his activities with experimental music. Vorisek’s work explores collective resonance and questions the dynamics of subcultures, often taking the form of site-specific interventions, large-scale installations, and experimental assemblages of sculpture, video, text, found objects, and sound.
The exhibition proposes a modular way of thinking about stability, one that does not repurpose materials so much as reassign meaning to forms typically understood as immutable. In doing so, Vorisek’s installation unveils a concealed collective understanding of the fiction of reality and distorted cultural memory.
Elbows revisits Vorisek’s series, i give back to the landscape, the vomits of experience (2023), consisting of ready-made moulds…
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Press Release
Elbows marks Jan Vorisek’s second solo exhibition with the gallery. His practice spans institutional exhibitions, artist-run spaces, and galleries, extending into his activities with experimental music. Vorisek’s work explores collective resonance and questions the dynamics of subcultures, often taking the form of site-specific interventions, large-scale installations, and experimental assemblages of sculpture, video, text, found objects, and sound.
The exhibition proposes a modular way of thinking about stability, one that does not repurpose materials so much as reassign meaning to forms typically understood as immutable. In doing so, Vorisek’s installation unveils a concealed collective understanding of the fiction of reality and distorted cultural memory.
Elbows revisits Vorisek’s series, i give back to the landscape, the vomits of experience (2023), consisting of ready-made moulds…
