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This fall, internationally acclaimed visual artist and film director Agnieszka Polska is coming to The Hague to fill 1646 with her immersive video works and installations.
In her work, Agnieszka Polska shuffles between different positions and perspectives, exploring the complexities of today’s technologised world. By shifting scale, her artworks turn into almost existential exercises: forms and ideas gain new meanings after being transferred to a different environment – what first looks like an incoherent noise can become crystal clear up close, or surprisingly simple from a distance.
Through a poetic voice – sometimes blunt, sometimes tender – Polska reflects on the contradictions of our time: our ability to experience normality and love while man-made catastrophes unfold; the tension between mortality, decay, and the indifference that infiltrates daily routines.
Travels in scale places the visitor back in the role of observer. What position do we…
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Press Release
This fall, internationally acclaimed visual artist and film director Agnieszka Polska is coming to The Hague to fill 1646 with her immersive video works and installations.
In her work, Agnieszka Polska shuffles between different positions and perspectives, exploring the complexities of today’s technologised world. By shifting scale, her artworks turn into almost existential exercises: forms and ideas gain new meanings after being transferred to a different environment – what first looks like an incoherent noise can become crystal clear up close, or surprisingly simple from a distance.
Through a poetic voice – sometimes blunt, sometimes tender – Polska reflects on the contradictions of our time: our ability to experience normality and love while man-made catastrophes unfold; the tension between mortality, decay, and the indifference that infiltrates daily routines.
Travels in scale places the visitor back in the role of observer. What position do we…
