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I see ordinary things differently – thoroughly – when I realize what they remind me of. A cardboard folder, an empty pill blister pack, a bright egg carton – their material value is negligible, but the penetrating power with which they affect me is disproportionately sharp, violent, and magical. Meanwhile, I don't register the presence of other objects at all – those that are very close, everyday, utilitarian. I don't see what I do with them, nor what they do to me.
Very often, it turns out that it is precisely these objects – whether I want it or not – that construct an image of me, co-creating or even reflecting my identity.
The exhibition title refers to a method that – in various contexts – might have been adopted by Trin Alt, Cezary Bodzianowski, and Kuba Stępień. "Na wskroś" means "thoroughly," "completely," "to the core," "from beginning to end."
In the context of the exhibition, it refers to a way of perceiving and experiencing both overlooked, inc…
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Press Release
I see ordinary things differently – thoroughly – when I realize what they remind me of. A cardboard folder, an empty pill blister pack, a bright egg carton – their material value is negligible, but the penetrating power with which they affect me is disproportionately sharp, violent, and magical. Meanwhile, I don't register the presence of other objects at all – those that are very close, everyday, utilitarian. I don't see what I do with them, nor what they do to me.
Very often, it turns out that it is precisely these objects – whether I want it or not – that construct an image of me, co-creating or even reflecting my identity.
The exhibition title refers to a method that – in various contexts – might have been adopted by Trin Alt, Cezary Bodzianowski, and Kuba Stępień. "Na wskroś" means "thoroughly," "completely," "to the core," "from beginning to end."
In the context of the exhibition, it refers to a way of perceiving and experiencing both overlooked, inc…
