SOLO EXHIBITION

Naer het levin

Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Artist
Tin Nguyen, Kirsten Kilponen, Daniel Chew and Ten Izu
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Press Release

Long before “Made in China” became shorthand for mass production, China occupied a different place in the Western imagination. In the 1600s, it was not a factory but a fantasy—a symbol of refinement, luxury, and distant sophistication. Porcelain, silk, and tea were more than commodities; they were coordinates of desire. China, often standing in for Asia as a whole, represented what the West lacked and longed to possess. The appetite was for the exotic, the rare, the exquisite.

Today, that structure persists, though the terms have changed. China is no longer a symbol of rare luxury but of scale and speed. What was once tea and porcelain is now lithium and cloud computing. Desire remains, but it is now driven by efficiency, abundance, and extraction. China—and by extension, Asia—remains both essential and suspect: foundational to American identity, yet consistently cast as the foreign other, to be consumed and resisted in equal measure. At the time of writing, this fraught dynamic has…

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Exhibition Space
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91 Great Russell St, London WC1B 3PS, UK
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Created by aurorasky on May 24, 2025 at 14:55
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Naer het levin
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Photo: Jack Edwards / Courtesy: Hot Wheels, London
SOLO EXHIBITION

Naer het levin

Sign up free to get notified about exhibitions
Press Release

Long before “Made in China” became shorthand for mass production, China occupied a different place in the Western imagination. In the 1600s, it was not a factory but a fantasy—a symbol of refinement, luxury, and distant sophistication. Porcelain, silk, and tea were more than commodities; they were coordinates of desire. China, often standing in for Asia as a whole, represented what the West lacked and longed to possess. The appetite was for the exotic, the rare, the exquisite.

Today, that structure persists, though the terms have changed. China is no longer a symbol of rare luxury but of scale and speed. What was once tea and porcelain is now lithium and cloud computing. Desire remains, but it is now driven by efficiency, abundance, and extraction. China—and by extension, Asia—remains both essential and suspect: foundational to American identity, yet consistently cast as the foreign other, to be consumed and resisted in equal measure. At the time of writing, this fraught dynamic has…

More expand_more
Exhibition Space
View exhibitionspace
91 Great Russell St, London WC1B 3PS, UK
View all exhibitions in... London, England, GB
Represent Hot Wheels? Claim your institution page, lock edits to your exhibitions, and track audience engagement across your full program.
Artist
Tin Nguyen, Kirsten Kilponen, Daniel Chew and Ten Izu
Similar Exhibitions
View exhibition
ON VIEW
Through Mar 14, 2026
Soft OpeningLondon, GB
View exhibition
ON VIEW
Through Mar 14, 2026
greengrassi + 1 moreLondon, GB
View exhibition
ON VIEW
Through Mar 14, 2026
greengrassiLondon, GB
View exhibition
Feb 06, 2026 — Feb 28, 2026
Cob GalleryLondon, GB
View exhibition
Jan 23, 2026 — Feb 28, 2026
Final Hot DesertLondon, GB
More
Guestbook
All comments: 0
Nobody has signed the guestbook yet. Want to be the first to leave a comment?
Metadata
verified Complete entry
Created by aurorasky on May 24, 2025 at 14:55
Edits: 0
Views:
Claims
Did your venue host this exhibition? , and you'll gain exclusive control of this page.
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