SOLO EXHIBITION

Naer het levin

Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Naer het levin
Artist
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Tin Nguyen, Kirsten Kilponen, Daniel Chew and Ten Izu
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Press Release
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Long before “Made in China” became shorthand for mass production, China occupied a different place in the Western imagination. In the 1600s, it was not a factory but a fantasy—a symbol of refinement, luxury, and distant sophistication. Porcelain, silk, and tea were more than commodities; they were coordinates of desire. China, often standing in for Asia as a whole, represented what the West lacked and longed to possess. The appetite was for the exotic, the rare, the exquisite.

Today, that structure persists, though the terms have changed. China is no longer a symbol of rare luxury but of scale and speed. What was once tea and porcelain is now lithium and cloud computing. Desire remains, but it is now driven by efficiency, abundance, and extraction. China—and by extension, Asia—remains both essential and suspect: foundational to American identity, yet consistently cast as the foreign other, to be consumed and resisted in equal measure. At the time of writing, this fraught...More expand_more

Exhibition Space
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91 Great Russell St, London WC1B 3PS, UK
View all exhibitions in... London, England, GB
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Created by aurorasky on May 24, 2025 at 14:55
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Naer het levin
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Image: Jack Edwards / Hot Wheels, London
SOLO EXHIBITION

Naer het levin

Press Release
edit

Long before “Made in China” became shorthand for mass production, China occupied a different place in the Western imagination. In the 1600s, it was not a factory but a fantasy—a symbol of refinement, luxury, and distant sophistication. Porcelain, silk, and tea were more than commodities; they were coordinates of desire. China, often standing in for Asia as a whole, represented what the West lacked and longed to possess. The appetite was for the exotic, the rare, the exquisite.

Today, that structure persists, though the terms have changed. China is no longer a symbol of rare luxury but of scale and speed. What was once tea and porcelain is now lithium and cloud computing. Desire remains, but it is now driven by efficiency, abundance, and extraction. China—and by extension, Asia—remains both essential and suspect: foundational to American identity, yet consistently cast as the foreign other, to be consumed and resisted in equal measure. At the time of writing, this fraught...More expand_more

Exhibition Space
edit
View exhibitionspace
91 Great Russell St, London WC1B 3PS, UK
View all exhibitions in... London, England, GB
Artist
edit
Tin Nguyen, Kirsten Kilponen, Daniel Chew and Ten Izu
Similar Exhibitions
View exhibition
ON VIEW
Through Sep 07, 2025
GasworksLondon, GB
View exhibition
ON VIEW
Through Sep 07, 2025
SerpentineLondon, GB
View exhibition
May 30, 2025 — Sep 06, 2025
CabinetLondon, GB
View exhibition
Jul 19, 2025 — Aug 30, 2025
Season 4 Episode 6London, GB
View exhibition
Aug 05, 2025 — Aug 25, 2025
Piloto PardoLondon, GB
More
Guestbook
All comments: 0
Nobody has signed the guestbook yet. Want to be the first to leave a comment?
Metadata
verified Complete entry
Created by aurorasky on May 24, 2025 at 14:55
Edits: 0
Views:
lock
Claims
Did your venue host this exhibition? Claim it, and you'll gain exclusive control of this page.