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The exhibition, Seesaw, acts as a cross-section compartment providing space for the coming-togethers and splittings of practices which investigate these same transactions of material and the contextual positioning of use-value.
The cross section is made literal between the vertical gallery window and its thin descending blinds and the lateral, heavy vectors of the gallery’s shelves which visually extend and match to the Overground Line at Haggerston Station visible through the window.
The mechanisms along the continuums of input/output and action/reaction and their “/“ cruxes are presented from different angles: historically through Arshad’s collected objects, personally and experientially through Shimabuku’s scaled actions, and systematically through Shin’s “black boxes” that indifferently sort through inputs.
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Press Release
The exhibition, Seesaw, acts as a cross-section compartment providing space for the coming-togethers and splittings of practices which investigate these same transactions of material and the contextual positioning of use-value.
The cross section is made literal between the vertical gallery window and its thin descending blinds and the lateral, heavy vectors of the gallery’s shelves which visually extend and match to the Overground Line at Haggerston Station visible through the window.
The mechanisms along the continuums of input/output and action/reaction and their “/“ cruxes are presented from different angles: historically through Arshad’s collected objects, personally and experientially through Shimabuku’s scaled actions, and systematically through Shin’s “black boxes” that indifferently sort through inputs.
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