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‘Honey on the Wheel’ marks Kevin McNamee-Tweed’s second solo exhibition with TATJANA PIETERS presenting a new body of wall-hanging ceramic works alongside an expansive selection of works on paper. McNamee-Tweed’s practice examines the construction of meaning and the ways in which images and stories take shape. Grounded in mark-making and image-making, his work is driven by material inquiry and sustained experimentation, most notably through clay and glaze. Drawing freely from a wide range of sources—from the canon of art history to the textures and symbols of everyday life—he brings together disparate references through an intuitive and open-ended working process.
The artist’s pictorial ceramics or ‘ceramic paintings’ combine the visual clarity of two-dimensional imagery with the material presence of sculpture. While rooted in rigorous technique, these works remain receptive to chance, allowing the chemistry of the ceramic process to generate surfaces, textures, and effects…
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Press Release
‘Honey on the Wheel’ marks Kevin McNamee-Tweed’s second solo exhibition with TATJANA PIETERS presenting a new body of wall-hanging ceramic works alongside an expansive selection of works on paper. McNamee-Tweed’s practice examines the construction of meaning and the ways in which images and stories take shape. Grounded in mark-making and image-making, his work is driven by material inquiry and sustained experimentation, most notably through clay and glaze. Drawing freely from a wide range of sources—from the canon of art history to the textures and symbols of everyday life—he brings together disparate references through an intuitive and open-ended working process.
The artist’s pictorial ceramics or ‘ceramic paintings’ combine the visual clarity of two-dimensional imagery with the material presence of sculpture. While rooted in rigorous technique, these works remain receptive to chance, allowing the chemistry of the ceramic process to generate surfaces, textures, and effects…
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