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Eyelash Fortress marks Indriķis Ģelzis’s third solo exhibition with Suprainfinit, transforming the gallery into an odyssey that navigates between reality and dream, awakening and digital frenzy. Hovering across shifting conditions of form, attitude, and economy, the artist’s practice unfolds as a continuous excavation within the shattering flux that surrounds society and underpins every relationship.
As a bricoleur of analogue and digital rhythms and shapes, Ģelzis imprints flashes of infographic visuals and metadata into his sculptural works, elements that permeate our daily routines and brain. The physicality of his practice emerges from a complex process: digital imagery, jolted by streams of statistical data, is translated into anthropomorphised and hybrid creatures that both surveil and embrace our presence.
When was the last time you felt displaced from a tangible context, your body divid- ed into a silhouette at once human, plant, and nonhuman?
Stepping into the gallery,…
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Press Release
Eyelash Fortress marks Indriķis Ģelzis’s third solo exhibition with Suprainfinit, transforming the gallery into an odyssey that navigates between reality and dream, awakening and digital frenzy. Hovering across shifting conditions of form, attitude, and economy, the artist’s practice unfolds as a continuous excavation within the shattering flux that surrounds society and underpins every relationship.
As a bricoleur of analogue and digital rhythms and shapes, Ģelzis imprints flashes of infographic visuals and metadata into his sculptural works, elements that permeate our daily routines and brain. The physicality of his practice emerges from a complex process: digital imagery, jolted by streams of statistical data, is translated into anthropomorphised and hybrid creatures that both surveil and embrace our presence.
When was the last time you felt displaced from a tangible context, your body divid- ed into a silhouette at once human, plant, and nonhuman?
Stepping into the gallery,…




















































































