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“So, one or two things from this world, once again, one or two familiar things (…) but raised to just the right level of lightness so that the traveler can keep them with him as he takes the plunge?”
The Pilgrim’s Bowl (Morandi) P. Jaccottet
Gyan Panchal’s sculptures take shape from objects gleaned from the roadside; found objects (a sandbox, an awning, a lock…) discarded because they are obsolete and whose function, suspended midway, still evokes human relationships, our engagement with others and with the outside world. Like a rag-and-bone man, the artist collects them in his studio and, with careful gestures, often reduced to their simplest expression (washing, cutting, sanding, assembling, staining…), he accompanies these objects to the threshold of themselves. Transformed into sculptures, these altered forms are returned to the world; forms in negotiation with their newfound exposure.
Gyan Panchal est represente par la galerie Marcelle Alix, Paris.
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Press Release
“So, one or two things from this world, once again, one or two familiar things (…) but raised to just the right level of lightness so that the traveler can keep them with him as he takes the plunge?”
The Pilgrim’s Bowl (Morandi) P. Jaccottet
Gyan Panchal’s sculptures take shape from objects gleaned from the roadside; found objects (a sandbox, an awning, a lock…) discarded because they are obsolete and whose function, suspended midway, still evokes human relationships, our engagement with others and with the outside world. Like a rag-and-bone man, the artist collects them in his studio and, with careful gestures, often reduced to their simplest expression (washing, cutting, sanding, assembling, staining…), he accompanies these objects to the threshold of themselves. Transformed into sculptures, these altered forms are returned to the world; forms in negotiation with their newfound exposure.
Gyan Panchal est represente par la galerie Marcelle Alix, Paris.
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