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Jenna Kaës has developed a singular style at the crossroads of design, decorative arts, and installations, where forms dialogue with symbols, forgotten tales, and ritual gestures. Trained in design, she goes beyond functional utility to explore the elements of memory, silence, and mystery objects carry within them. In her work, materials become meaningful media: glass, metal, textiles, or precious stones are never just mere tools but vectors of a symbolic, archaic, and often sacred language.
At the heart of her approach lies a persistent question: how can we materialize the invisible? How can we give shape to what our societies struggle to face – like death, mourning, fear or the sacred? Kaës responds to this by creating ambiguous objects, drawing as much from the imagery of reliquaries as from fairy tales or psychoanalysis. In doing so, she composes a visual language that invokes archetypes and myths, while remaining firmly...More
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Jenna Kaës has developed a singular style at the crossroads of design, decorative arts, and installations, where forms dialogue with symbols, forgotten tales, and ritual gestures. Trained in design, she goes beyond functional utility to explore the elements of memory, silence, and mystery objects carry within them. In her work, materials become meaningful media: glass, metal, textiles, or precious stones are never just mere tools but vectors of a symbolic, archaic, and often sacred language.
At the heart of her approach lies a persistent question: how can we materialize the invisible? How can we give shape to what our societies struggle to face – like death, mourning, fear or the sacred? Kaës responds to this by creating ambiguous objects, drawing as much from the imagery of reliquaries as from fairy tales or psychoanalysis. In doing so, she composes a visual language that invokes archetypes and myths, while remaining firmly...More
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