Luar Negery
Misako & Rosen•Jan 31, 2026 — Mar 01, 2026
Fig.•Jan 31, 2026 — Mar 01, 2026
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Oototolʼs first solo exhibition in Japan, divided between Misako & Rosen and Fig., offers an occasion to examine the formal and narrative play that constituted the late Balinese artistʼs production. Working with Chinese ink, bamboo pens, and brushes, Oototol (b. ?‒2008) elaborated a pictorial language in which representations of the quotidian and the transgressive are made to occupy a single visual field, raising questions about the conditions under which such conjunctions become legible or permissible.
An artist who left us no written testimonies, much of what is known to us about Oototol has to do with his shared time with a group of Balinese artists, including I Gusti Ayu Kadek Murniasih “Murni”, Dewa Putu Mokoh, and Edmondo “Mondo” Zanolini. Together, their collective exchange left discernible traces across Oototolʼs oeuvre through formal affinities. Often framed within these influences, this presentation focuses rather on an engagement with Oototolʼs contributions with his…
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Luar Negery
Misako & Rosen•Jan 31, 2026 — Mar 01, 2026
Fig.•Jan 31, 2026 — Mar 01, 2026
Press Release
Oototolʼs first solo exhibition in Japan, divided between Misako & Rosen and Fig., offers an occasion to examine the formal and narrative play that constituted the late Balinese artistʼs production. Working with Chinese ink, bamboo pens, and brushes, Oototol (b. ?‒2008) elaborated a pictorial language in which representations of the quotidian and the transgressive are made to occupy a single visual field, raising questions about the conditions under which such conjunctions become legible or permissible.
An artist who left us no written testimonies, much of what is known to us about Oototol has to do with his shared time with a group of Balinese artists, including I Gusti Ayu Kadek Murniasih “Murni”, Dewa Putu Mokoh, and Edmondo “Mondo” Zanolini. Together, their collective exchange left discernible traces across Oototolʼs oeuvre through formal affinities. Often framed within these influences, this presentation focuses rather on an engagement with Oototolʼs contributions with his…
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More Exhibitions at Misako & Rosen and Fig.
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