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As a continuation of the group show The Main Entrance, conducted at Hollybush Gardens exactly two years ago, we consider that chapter not yet closed and grow this context with returning and new artists involved in the second version of The Main Entrance in our Tbilisi location.
The exhibition brings together work by artists from Telavi, Tbilisi, Berlin and Düsseldorf; Ketuta Alexi-Meskhishvili, Tolia Astakhishvili, Vati Davitashvili, Thea Djordjaze, Keta Gavasheli, and Simon Lässig.
The exhibition is accompanied by an essay by Alexandra Symons-Sutcliffe on photography’s capacity to reproduce the world as image: its reality being both a product of its technical apparatus and its institutional promiscuity. Within the exhibition, these concerns take on various forms: from the collaging or staging of images to taking over and reproducing pre-existing forms — each work looks towards a method of constructing and reconstructing a reality.
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Press Release
As a continuation of the group show The Main Entrance, conducted at Hollybush Gardens exactly two years ago, we consider that chapter not yet closed and grow this context with returning and new artists involved in the second version of The Main Entrance in our Tbilisi location.
The exhibition brings together work by artists from Telavi, Tbilisi, Berlin and Düsseldorf; Ketuta Alexi-Meskhishvili, Tolia Astakhishvili, Vati Davitashvili, Thea Djordjaze, Keta Gavasheli, and Simon Lässig.
The exhibition is accompanied by an essay by Alexandra Symons-Sutcliffe on photography’s capacity to reproduce the world as image: its reality being both a product of its technical apparatus and its institutional promiscuity. Within the exhibition, these concerns take on various forms: from the collaging or staging of images to taking over and reproducing pre-existing forms — each work looks towards a method of constructing and reconstructing a reality.






























































































