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With the exhibition Surge, Yalda Afsah presents her first exhibition in Denmark at Kunsthal Thy. Her two videos Curro (2023) and Jarramplas (2025) come from two different bodies of work. While Curro approaches human beings through their relationship with animals, Jarramplas opens a new series that focuses on rituals as well as communal and social dynamics.
Curro begins with a view of a vast landscape in which wild horses are being driven together. On the edges of the scene stands an observing audience. An atmosphere of calm and latent expectation connects everyone present. Then the viewer sees the confinement of the tightly herded wild horses, which become nervous even at small gestures, such as the pace of a walk or the swing of an arm. Two men each restrain a horse in a very tight embrace in order to trim its tail and mane. The forced closeness leaves the flight animals visibly marked by the situation.
The nighttime detonations with which the video Jarramplas begins appear both…
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Press Release
With the exhibition Surge, Yalda Afsah presents her first exhibition in Denmark at Kunsthal Thy. Her two videos Curro (2023) and Jarramplas (2025) come from two different bodies of work. While Curro approaches human beings through their relationship with animals, Jarramplas opens a new series that focuses on rituals as well as communal and social dynamics.
Curro begins with a view of a vast landscape in which wild horses are being driven together. On the edges of the scene stands an observing audience. An atmosphere of calm and latent expectation connects everyone present. Then the viewer sees the confinement of the tightly herded wild horses, which become nervous even at small gestures, such as the pace of a walk or the swing of an arm. Two men each restrain a horse in a very tight embrace in order to trim its tail and mane. The forced closeness leaves the flight animals visibly marked by the situation.
The nighttime detonations with which the video Jarramplas begins appear both…





































