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Sometimes a painting begins in the act of seeing. Or just after, as an afterimage—the persistent glow that remains when the eyes close after looking into light. Julia Selin’s Sun’s Show unfolds within this condition. The exhibition brings together a set of paintings that seem to hold together as a system, where each work depends on the others. Several canvases rise vertically, exceeding the body; others remain small, close, almost held. Certain motifs return—branching lines, vertical structures, crescent forms, points of light—shifting slightly from one canvas to the next. The works behave like recollections, forming and reforming as they are seen.
Selin approaches painting as a site where images emerge through process. Each canvas is executed in a single, continuous layer of oil, worked while still wet. The image develops through pressure and movement. Where pigment gathers, it darkens into a compact field; where it thins, light appears from within the surface. The palette moves…
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Press Release
Sometimes a painting begins in the act of seeing. Or just after, as an afterimage—the persistent glow that remains when the eyes close after looking into light. Julia Selin’s Sun’s Show unfolds within this condition. The exhibition brings together a set of paintings that seem to hold together as a system, where each work depends on the others. Several canvases rise vertically, exceeding the body; others remain small, close, almost held. Certain motifs return—branching lines, vertical structures, crescent forms, points of light—shifting slightly from one canvas to the next. The works behave like recollections, forming and reforming as they are seen.
Selin approaches painting as a site where images emerge through process. Each canvas is executed in a single, continuous layer of oil, worked while still wet. The image develops through pressure and movement. Where pigment gathers, it darkens into a compact field; where it thins, light appears from within the surface. The palette moves…
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