GROUP EXHIBITIONON VIEW

Above, Below, Between

Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Above, Below, Between
Curators
View person
b. 1993, Switzerland
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Press Release

A proposal by Oriane Emery & Jean-Rodolphe Petter


Above, Below, Between is structured around the sphere as a relational environment. An intimate, invisible space that we construct daily in response to what surrounds us. The sphere is not understood here as a stable refuge, but as a milieu traversed by narratives, images, objects, and norms that orient us as much as we attempt to orient ourselves within them.


This approach is grounded in the thinking of Sara Ahmed (Queer Phenomenology: Orientations, Objects, Others), for whom orientation does not refer simply to movement through space, but to the ways bodies react to and metabolize the situations they encounter in their everyday environments. Ahmed’s work invites us to contextualize the question of orientation through an intersectional lens. To be oriented is to know what we turn toward : what attracts us, what reassures us, what puts us under tension, or what generates fear. The spaces we inhabit, particularly domestic space, organize…

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Exhibition Space
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Parc du Loup 3, 1018 Lausanne, Switzerland
View all exhibitions in... Lausanne, CH
Represent CALM - Centre d'Art La Meute? Claim your institution page, lock edits, and track audience engagement across your full program.
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verified Complete entry
Created by loop on Mar 01, 2026 at 17:23
Edited by oiledcabbage on Mar 01, 2026 at 17:26
Edits: 3
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Above, Below, Between
Image gallery (22)
Photo: kunst-dokumentation.com, Manuel Carreon Lopez / Courtesy: CALM - Centre d'Art La Meute, UA26
GROUP EXHIBITIONON VIEW

Above, Below, Between

Sign up free to get notified about exhibitions
Press Release

A proposal by Oriane Emery & Jean-Rodolphe Petter


Above, Below, Between is structured around the sphere as a relational environment. An intimate, invisible space that we construct daily in response to what surrounds us. The sphere is not understood here as a stable refuge, but as a milieu traversed by narratives, images, objects, and norms that orient us as much as we attempt to orient ourselves within them.


This approach is grounded in the thinking of Sara Ahmed (Queer Phenomenology: Orientations, Objects, Others), for whom orientation does not refer simply to movement through space, but to the ways bodies react to and metabolize the situations they encounter in their everyday environments. Ahmed’s work invites us to contextualize the question of orientation through an intersectional lens. To be oriented is to know what we turn toward : what attracts us, what reassures us, what puts us under tension, or what generates fear. The spaces we inhabit, particularly domestic space, organize…

More expand_more
Exhibition Space
View exhibitionspace
Parc du Loup 3, 1018 Lausanne, Switzerland
View all exhibitions in... Lausanne, CH
Represent CALM - Centre d'Art La Meute? Claim your institution page, lock edits, and track audience engagement across your full program.
Curators
View person
b. 1993, Switzerland
More Exhibitions at CALM - Centre d'Art La Meute
View exhibition
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Through Mar 01, 2026
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May 02, 2025 — Jun 29, 2025
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Feb 07, 2025 — Apr 04, 2025
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View exhibition
Nov 22, 2024 — Jan 19, 2025
CALM - Centre d'Art La MeuteLausanne, CH
View exhibition
Sep 14, 2024 — Nov 03, 2024
CALM - Centre d'Art La MeuteLausanne, CH
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Guestbook
All comments: 0
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Metadata
verified Complete entry
Created by loop on Mar 01, 2026 at 17:23
Edited by oiledcabbage on Mar 01, 2026 at 17:26
Edits: 3
Views:
Claims
Did your venue host this exhibition? , and you'll gain exclusive control of this page.
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