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For her first exhibition in France at the Villa du Parc, Flo Kasearu undertakes an in-situ investigation based on the building’s archives. She draws inspiration from the multiple lives of this bourgeois villa built in 1865: from 1930 onwards, the building served as a district court, a police station, a tax office, and also as a residence for families.
From these institutional and domestic layers, she imagines a fiction in which the gaze of a solitary child living there in the 1950s becomes the thread of a narrative woven between memory, play, and power.
What happens when childhood games infiltrate institutional affairs? When the courthouse becomes a playground? When judges play ping-pong, police officers imagine themselves as cartoon characters, and children become the guardians of order?
A kind of delightful, absurd, yet often critical confusion takes place.
Do Not Step on the Grass explores the relationships between the public and private spheres. Through role-playing, personal…
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Press Release
For her first exhibition in France at the Villa du Parc, Flo Kasearu undertakes an in-situ investigation based on the building’s archives. She draws inspiration from the multiple lives of this bourgeois villa built in 1865: from 1930 onwards, the building served as a district court, a police station, a tax office, and also as a residence for families.
From these institutional and domestic layers, she imagines a fiction in which the gaze of a solitary child living there in the 1950s becomes the thread of a narrative woven between memory, play, and power.
What happens when childhood games infiltrate institutional affairs? When the courthouse becomes a playground? When judges play ping-pong, police officers imagine themselves as cartoon characters, and children become the guardians of order?
A kind of delightful, absurd, yet often critical confusion takes place.
Do Not Step on the Grass explores the relationships between the public and private spheres. Through role-playing, personal…


























