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t’s not the future seeping into the present. There is no future at the moment. Nor is it hauntology. It’s not a memorial for futures past. We’re in a sideways time, where time rambles and gets lost. It’s a dissociated time, but not just as felt in this body. It is history itself as dysphoric, as unable to settle into its own body—metabolic rift.
Mackenzie Wark, Raving. 2023
“Afters” occur between the end of the party and the beginning of whatever follows it. It is the space and time where curated parameters dissolve: the club closes, the hosts ask us to leave, and we end up in the middle of the street, maybe waiting for something to happen, maybe listening to quiet music out of someone’s cell phone. Afters are foggy versions of productive being, somewhere inside and outside the sequence of morning, afternoon, night, train, home, office. There is harshness when stepping out, when the sunglasses come on, returning from afters into “being.” Of course, this is...More
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Press Release
t’s not the future seeping into the present. There is no future at the moment. Nor is it hauntology. It’s not a memorial for futures past. We’re in a sideways time, where time rambles and gets lost. It’s a dissociated time, but not just as felt in this body. It is history itself as dysphoric, as unable to settle into its own body—metabolic rift.
Mackenzie Wark, Raving. 2023
“Afters” occur between the end of the party and the beginning of whatever follows it. It is the space and time where curated parameters dissolve: the club closes, the hosts ask us to leave, and we end up in the middle of the street, maybe waiting for something to happen, maybe listening to quiet music out of someone’s cell phone. Afters are foggy versions of productive being, somewhere inside and outside the sequence of morning, afternoon, night, train, home, office. There is harshness when stepping out, when the sunglasses come on, returning from afters into “being.” Of course, this is...More
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More Exhibitions at The RYDER Projects
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