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Sperling is pleased to present the second exhibition by Anousha Payne in Munich, developed in close collaboration with Ushara (sound and opening performance). Building on her first presentation at Sperling’s old gallery location – where paper-pulp casts of her own body and ceramic animal heads formed a playful narrative supported by a four channel sound piece – Payne continues to expand her practice through challenging processes. Her work lives between sculpture, storytelling, and embodied experience, tracing the shifts between the human and the non-human, the domestic and the mythological.
At the centre of the exhibition is the figure of the moth. For Payne, the moth is not simply a symbol of attraction or fragility, but a creature that moves across thresholds – between interior and exterior, private and public, constraint and escape. It becomes a speculative figure of transformation: a body that passes through walls, that inhabits and exceeds the architecture of the home. The house…
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Press Release
Sperling is pleased to present the second exhibition by Anousha Payne in Munich, developed in close collaboration with Ushara (sound and opening performance). Building on her first presentation at Sperling’s old gallery location – where paper-pulp casts of her own body and ceramic animal heads formed a playful narrative supported by a four channel sound piece – Payne continues to expand her practice through challenging processes. Her work lives between sculpture, storytelling, and embodied experience, tracing the shifts between the human and the non-human, the domestic and the mythological.
At the centre of the exhibition is the figure of the moth. For Payne, the moth is not simply a symbol of attraction or fragility, but a creature that moves across thresholds – between interior and exterior, private and public, constraint and escape. It becomes a speculative figure of transformation: a body that passes through walls, that inhabits and exceeds the architecture of the home. The house…
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