Trust Me, Be Careful, I Like Your Shoes
Sean Kelly•Mar 15, 2025 — May 03, 2025
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Sean Kelly is delighted to announce Trust Me, Be Careful, I Like Your Shoes, Zipora Fried’s first solo exhibition in Los Angeles. Bringing together four bodies of work; large works on paper, new intimately scaled drawings, ceramic sculptures, and a monumental hanging drawing, this exhibition highlights Fried’s mastery of mark-making and her continued exploration of the transformative, manipulative potential of form, color, and gesture.
Simultaneously an overview of her oeuvre and a step into a new, dynamic phase of her career, the exhibition captures a shift in Fried’s practice toward heightened energy and a more liberated, expressive engagement with her materials.
Spanning drawing, installation, and sculpture Zipora Fried’s practice explores the tension between surface presence and subconscious depth. Layers of line, color, and material accumulate, dissolving interpretation in favor of a more visceral experience. Fried’s large drawings reflect a deliberate...More
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Trust Me, Be Careful, I Like Your Shoes
Sean Kelly•Mar 15, 2025 — May 03, 2025
Press Release
Sean Kelly is delighted to announce Trust Me, Be Careful, I Like Your Shoes, Zipora Fried’s first solo exhibition in Los Angeles. Bringing together four bodies of work; large works on paper, new intimately scaled drawings, ceramic sculptures, and a monumental hanging drawing, this exhibition highlights Fried’s mastery of mark-making and her continued exploration of the transformative, manipulative potential of form, color, and gesture.
Simultaneously an overview of her oeuvre and a step into a new, dynamic phase of her career, the exhibition captures a shift in Fried’s practice toward heightened energy and a more liberated, expressive engagement with her materials.
Spanning drawing, installation, and sculpture Zipora Fried’s practice explores the tension between surface presence and subconscious depth. Layers of line, color, and material accumulate, dissolving interpretation in favor of a more visceral experience. Fried’s large drawings reflect a deliberate...More