Odyssea: Le sel de la terre
Punta Gallery•Mar 12, 2026 — May 09, 2026
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Odyssea – The Song of the Sirens and the Salt of the Earth unfolds in two interrelated parts that trace transformation, identity, and the future of society. The exhibition was created in 2024 and first presented at the Spiaggia Libera Gallery in Marseille and Paris exploring different dimensions of contemporary existence through symbols such as the sea and the salt, which intertwine the past, present, and future.
After a phantasmagorical journey from the ocean depths to earth’s surface, from mythical fish-woman to emancipated contemporary figure during Odyssea – The Song of the Sirens (presented at the BUNA Festival in Varna), a nebulous post-capitalist world now emerges, inhabited by creatures seeking change. The Salt of the Earth thus proposes a different temporality, one beyond linear history – a narrative of anticipation. Salt, known for its corrosive and purifying properties, materializes here as piles of charred debris through which the artists’ works unfold.
So, how do we imagine…
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Odyssea: Le sel de la terre
Punta Gallery•Mar 12, 2026 — May 09, 2026
Press Release
Odyssea – The Song of the Sirens and the Salt of the Earth unfolds in two interrelated parts that trace transformation, identity, and the future of society. The exhibition was created in 2024 and first presented at the Spiaggia Libera Gallery in Marseille and Paris exploring different dimensions of contemporary existence through symbols such as the sea and the salt, which intertwine the past, present, and future.
After a phantasmagorical journey from the ocean depths to earth’s surface, from mythical fish-woman to emancipated contemporary figure during Odyssea – The Song of the Sirens (presented at the BUNA Festival in Varna), a nebulous post-capitalist world now emerges, inhabited by creatures seeking change. The Salt of the Earth thus proposes a different temporality, one beyond linear history – a narrative of anticipation. Salt, known for its corrosive and purifying properties, materializes here as piles of charred debris through which the artists’ works unfold.
So, how do we imagine…





























































