In the Expanded Penalty Box: Did You Happen to See the Most Beautiful Fox?
Petzel Gallery•Jan 11, 2024 — Feb 17, 2024
Artist
Artwork Checklist
More Exhibitions at Petzel Gallery
Guestbook
Press Release
Petzel is pleased to present In the Expanded Penalty Box: Did You Happen to See the Most Beautiful Fox?, an interdisciplinary exhibition of new works by Berlin-based artist Raphaela Vogel, in which she unfolds her enigmatic form repertoire beyond aesthetic orthodoxies. The show marks Vogel’s first exhibition with the gallery, as well as her first solo exhibition in the US, and will be on view from January 11 to February 17, 2024, at Petzel’s Chelsea location at 520 West 25th Street.
Through surrealistic and autobiographically composed environments, Vogel deals with power dynamics ranging from questions of gender to human-animal and machine relations. Here, phallic forms of spatial production and the urges of male voyeurism are confronted by Vogel’s highly subjective camera and occupation of space. Her installations and video collages often feature metal sounds, drones, field recordings, pop songs, and singing hooligans sampled from Vogel’s own cultural memory. The artist’s ambiguous…
Exhibition Space
Metadata
Claims

In the Expanded Penalty Box: Did You Happen to See the Most Beautiful Fox?
Petzel Gallery•Jan 11, 2024 — Feb 17, 2024
Press Release
Petzel is pleased to present In the Expanded Penalty Box: Did You Happen to See the Most Beautiful Fox?, an interdisciplinary exhibition of new works by Berlin-based artist Raphaela Vogel, in which she unfolds her enigmatic form repertoire beyond aesthetic orthodoxies. The show marks Vogel’s first exhibition with the gallery, as well as her first solo exhibition in the US, and will be on view from January 11 to February 17, 2024, at Petzel’s Chelsea location at 520 West 25th Street.
Through surrealistic and autobiographically composed environments, Vogel deals with power dynamics ranging from questions of gender to human-animal and machine relations. Here, phallic forms of spatial production and the urges of male voyeurism are confronted by Vogel’s highly subjective camera and occupation of space. Her installations and video collages often feature metal sounds, drones, field recordings, pop songs, and singing hooligans sampled from Vogel’s own cultural memory. The artist’s ambiguous…



































