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Stephan Dillemuth's artistic practice takes place in a testing of techniques and spheres of self-determination, which he understands as bohemian research laboratories. This articulates an aesthetic that does not seek to emulate the manufacturing industry in another trade, but instead operates in an open-ended, dilettante, provisional and occasionally collective manner. Despite an astonishingly broad frame of reference, ranging from the Life Reform movement to blockchain technology and the beauty gallery at Nymphenburg Palace, Dillemuth has created an astonishingly concise oeuvre over the years that builds on one another.
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Press Release
Stephan Dillemuth's artistic practice takes place in a testing of techniques and spheres of self-determination, which he understands as bohemian research laboratories. This articulates an aesthetic that does not seek to emulate the manufacturing industry in another trade, but instead operates in an open-ended, dilettante, provisional and occasionally collective manner. Despite an astonishingly broad frame of reference, ranging from the Life Reform movement to blockchain technology and the beauty gallery at Nymphenburg Palace, Dillemuth has created an astonishingly concise oeuvre over the years that builds on one another.
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