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Stephan Dillemuth's artistic practice takes place in a testing of techniques and spheres of self-determination, which he understands as bohemian research laboratories. This articulates an aesthetic that does not seek to emulate the manufacturing industry in another trade, but instead operates in an open-ended, dilettante, provisional and occasionally collective manner. Despite an astonishingly broad frame of reference, ranging from the Life Reform movement to blockchain technology and the beauty gallery at Nymphenburg Palace, Dillemuth has created an astonishingly concise oeuvre over the years that builds on one another.
Dillemuth's exhibition at the Kunstverein, ‘Wenn die Wirklichkeit kommt’ (When Reality Comes), presents recent works that have a charged relationship to processes of reality production. The starting point for this may have been the simultaneous whirring of opposing reality machines, as Dillemuth experienced as a student during a news broadcast in the packed…
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Press Release
Stephan Dillemuth's artistic practice takes place in a testing of techniques and spheres of self-determination, which he understands as bohemian research laboratories. This articulates an aesthetic that does not seek to emulate the manufacturing industry in another trade, but instead operates in an open-ended, dilettante, provisional and occasionally collective manner. Despite an astonishingly broad frame of reference, ranging from the Life Reform movement to blockchain technology and the beauty gallery at Nymphenburg Palace, Dillemuth has created an astonishingly concise oeuvre over the years that builds on one another.
Dillemuth's exhibition at the Kunstverein, ‘Wenn die Wirklichkeit kommt’ (When Reality Comes), presents recent works that have a charged relationship to processes of reality production. The starting point for this may have been the simultaneous whirring of opposing reality machines, as Dillemuth experienced as a student during a news broadcast in the packed…
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More Exhibitions at Neuer Essener Kunstverein
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