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Jan 17, 2026 — Mar 01, 2026
Management•New York, NY, US
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Press Release
Leonor Fini (1907–1996) was a singular figure in 20th-century art, known for her refusal to conform— whether to artistic movements, societal expectations, or gender norms. Though often associated with the Surrealists, she distanced herself from the group, rejecting André Breton’s rigid dogma and his tendency to reduce women to passive muses. Nevertheless, she was one of the few women included in the landmark 1936 International Surrealist Exhibition in London, alongside artists such as Salvador Dalí and Max Ernst. Unlike many of her male contemporaries, she did not see the unconscious as a realm of male dominance but rather as a space of fluid identities, shifting power, and self-possession.
Fini’s work was deeply thematic, returning obsessively to certain recurring figures: sphinxes, feline creatures, skeletons, sorceresses, and ambiguous androgynous beings. Among these, the small-scale face held a privileged place in her iconography. Faces in her art were rarely fixed or stable;…
Fini’s work was deeply thematic, returning obsessively to certain recurring figures: sphinxes, feline creatures, skeletons, sorceresses, and ambiguous androgynous beings. Among these, the small-scale face held a privileged place in her iconography. Faces in her art were rarely fixed or stable;…
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47 W 28th St Floor 2, New York, NY 10001, USA
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Image gallery (11)
Courtesy: Nagas
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Press Release
Leonor Fini (1907–1996) was a singular figure in 20th-century art, known for her refusal to conform— whether to artistic movements, societal expectations, or gender norms. Though often associated with the Surrealists, she distanced herself from the group, rejecting André Breton’s rigid dogma and his tendency to reduce women to passive muses. Nevertheless, she was one of the few women included in the landmark 1936 International Surrealist Exhibition in London, alongside artists such as Salvador Dalí and Max Ernst. Unlike many of her male contemporaries, she did not see the unconscious as a realm of male dominance but rather as a space of fluid identities, shifting power, and self-possession.
Fini’s work was deeply thematic, returning obsessively to certain recurring figures: sphinxes, feline creatures, skeletons, sorceresses, and ambiguous androgynous beings. Among these, the small-scale face held a privileged place in her iconography. Faces in her art were rarely fixed or stable;…
Fini’s work was deeply thematic, returning obsessively to certain recurring figures: sphinxes, feline creatures, skeletons, sorceresses, and ambiguous androgynous beings. Among these, the small-scale face held a privileged place in her iconography. Faces in her art were rarely fixed or stable;…
Exhibition Space
47 W 28th St Floor 2, New York, NY 10001, USA
Represent Nagas?
Claim your institution page, lock edits to your exhibitions, and track audience engagement across your full program.
Artist
Similar Exhibitions
Jan 17, 2026 — Mar 01, 2026
Management•New York, NY, US
More
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