SOLO EXHIBITION

Inscriptions in a Shade of Color

Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
Inscriptions in a Shade of Color
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Press Release

In Paul Pagk’s paintings, the aim has never been to produce the sensation of a concept of a natural object. We must stand in front of his paintings, see what there is to see, and accept the invitation to explore the visual sensation in the substance of the painting. Nothing could be less abstract.


—Mériam Korichi


And color is what a painter lives by, so it is the most important thing.


—Kazimir Malevich


Miguel Abreu Gallery is pleased to announce the opening, on Friday, January 16, of Paul Pagk’s Inscriptions in a Shade of Color, the artist’s third one-person exhibition at the gallery.


Comprised of a non-hierarchical mélange of 12 recent paintings and 30 works on paper, the exhibition explores the intimate and dynamic relationship between the artist’s slow and majestic painting practice and the speed and immediacy with which he produces his vast output of works on paper.


In Pagk’s large-scale paintings, within essentially monochrome and variously treated surfaces of color, appear incisions…

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Exhibition Space
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88 Eldridge St #36, New York, NY 10002, USA
View all exhibitions in... New York, NY, US
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Inscriptions in a Shade of Color
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Courtesy: Miguel Abreu Gallery
SOLO EXHIBITION

Inscriptions in a Shade of Color

Sign up free to get notified about exhibitions
Press Release

In Paul Pagk’s paintings, the aim has never been to produce the sensation of a concept of a natural object. We must stand in front of his paintings, see what there is to see, and accept the invitation to explore the visual sensation in the substance of the painting. Nothing could be less abstract.


—Mériam Korichi


And color is what a painter lives by, so it is the most important thing.


—Kazimir Malevich


Miguel Abreu Gallery is pleased to announce the opening, on Friday, January 16, of Paul Pagk’s Inscriptions in a Shade of Color, the artist’s third one-person exhibition at the gallery.


Comprised of a non-hierarchical mélange of 12 recent paintings and 30 works on paper, the exhibition explores the intimate and dynamic relationship between the artist’s slow and majestic painting practice and the speed and immediacy with which he produces his vast output of works on paper.


In Pagk’s large-scale paintings, within essentially monochrome and variously treated surfaces of color, appear incisions…

More expand_more
Exhibition Space
View exhibitionspace
88 Eldridge St #36, New York, NY 10002, USA
View all exhibitions in... New York, NY, US
Represent Miguel Abreu Gallery? Claim your institution page, lock edits to your exhibitions, and track audience engagement across your full program.
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Nov 13, 2025 — Jan 10, 2026
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View exhibition
May 09, 2025 — Jul 12, 2025
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View exhibition
Mar 01, 2019 — Apr 21, 2019
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Created by brap on Feb 21, 2026 at 22:17
Edits: 0
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