This is the time of the hour
Michael Kohn Gallery•Jan 28, 2023 — Mar 11, 2023
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Michael Kohn Gallery is pleased to announce the solo exhibition of Brooklyn-based artist Alicia Adamerovich. This will be Adamerovich’s inaugural show with the gallery, and will be on view concurrently with Frieze Los Angeles. In This is the time of the hour, Adamerovich studies themes of overwhelm through introspective alien landscapes and wood sculptures that traverse the subconscious, inviting her audience to visualize their own psychological state.
The landscapes – seemingly barren with their darkened color palette and unsettling, organic surfaces of pumice, wax, and sand – come gracefully alive with radiant orbs and spiraling, structured appendages. Works like Blessed be thy cavity communicate the duality of seen and unseen, or as Adamerovich writes, “connections between emotion and the dichotomy of familiarity and alienation.”
Stylistically, the protruding and recessing contours carry over to sculpture as seen in Blaring in a vacuum. Adamerovich’s overlapping painting and…
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This is the time of the hour
Michael Kohn Gallery•Jan 28, 2023 — Mar 11, 2023
Press Release
Michael Kohn Gallery is pleased to announce the solo exhibition of Brooklyn-based artist Alicia Adamerovich. This will be Adamerovich’s inaugural show with the gallery, and will be on view concurrently with Frieze Los Angeles. In This is the time of the hour, Adamerovich studies themes of overwhelm through introspective alien landscapes and wood sculptures that traverse the subconscious, inviting her audience to visualize their own psychological state.
The landscapes – seemingly barren with their darkened color palette and unsettling, organic surfaces of pumice, wax, and sand – come gracefully alive with radiant orbs and spiraling, structured appendages. Works like Blessed be thy cavity communicate the duality of seen and unseen, or as Adamerovich writes, “connections between emotion and the dichotomy of familiarity and alienation.”
Stylistically, the protruding and recessing contours carry over to sculpture as seen in Blaring in a vacuum. Adamerovich’s overlapping painting and…

















