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A Living Error is more than a flaw or glitch in the system. It is an unforeseen deviation that does not signify failure, but transformation—a beginning from which something new emerges. Life forms that fall outside the grid: hybrid, ambiguous, in a state of perpetual becoming.
On the occasion of the exhibition Living Errors, the gallery MARTINETZ is transformed into an interdisciplinary laboratory. Katja Novitskova, Eva Papamargariti, and Mary-Audrey Ramirez conduct speculative research at the intersection of art, biology, ecology, and technology—beyond the test tube, beyond genetic manipulation. The beings that emerge here are plausible, but not yet real. They fit into no category. That, too, is a Living Error: a form that falls outside the grid, simply because the grid is too narrow.
What connects the three positions is a shared perspective: one that reaches beyond the human and perceives the non-human not as a threat, but as transformative potential. Their hybrid beings—critters,…
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Press Release
A Living Error is more than a flaw or glitch in the system. It is an unforeseen deviation that does not signify failure, but transformation—a beginning from which something new emerges. Life forms that fall outside the grid: hybrid, ambiguous, in a state of perpetual becoming.
On the occasion of the exhibition Living Errors, the gallery MARTINETZ is transformed into an interdisciplinary laboratory. Katja Novitskova, Eva Papamargariti, and Mary-Audrey Ramirez conduct speculative research at the intersection of art, biology, ecology, and technology—beyond the test tube, beyond genetic manipulation. The beings that emerge here are plausible, but not yet real. They fit into no category. That, too, is a Living Error: a form that falls outside the grid, simply because the grid is too narrow.
What connects the three positions is a shared perspective: one that reaches beyond the human and perceives the non-human not as a threat, but as transformative potential. Their hybrid beings—critters,…


































