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The title Confessions of Fire comes from the debut of rapper Cam’ron. I remember finding the album around the time I was starting to understand my position in society. In 1998, I was only six years old, but I was registering that I was a boy who was going to become a man. The image printed onto my psyche: a man, Black like me, in heavy leather, with heavier equipment at work in a rugged steel mill environment.
For a little kid, that image was tough, like a superhero. Cam’ron, I found out later, thought it was corny. It was the label’s idea. The image set a course of who I became, but it’s also fraught with the politics of the Black artist working under capitalism. The long history of the shuck and jive.
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Press Release
The title Confessions of Fire comes from the debut of rapper Cam’ron. I remember finding the album around the time I was starting to understand my position in society. In 1998, I was only six years old, but I was registering that I was a boy who was going to become a man. The image printed onto my psyche: a man, Black like me, in heavy leather, with heavier equipment at work in a rugged steel mill environment.
For a little kid, that image was tough, like a superhero. Cam’ron, I found out later, thought it was corny. It was the label’s idea. The image set a course of who I became, but it’s also fraught with the politics of the Black artist working under capitalism. The long history of the shuck and jive.
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