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Ryan Cullen
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Ryan Cullen
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Ryan Cullen
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Press Release

“‘That romantic disease, originality, all around we see originality of incompetent idiots, they could draw nothing, paint nothing, just so the mess they make is original . . . Even two hundred years ago who wanted to be original, to be original was to admit that you could not do a thing the right way, so you could only do it your own way.’”


In 1955 the novel The Recognitions by William Gaddis appeared. At its centre stands a painter, Wyatt Gwyon, who produces technically perfect paintings in the style of the Flemish Old Masters. His works circulate successfully on the art market: collectors buy them, dealers sell them, experts admire them. And yet they are considered forgeries. Not because the painting itself is bad, but because the name underneath is wrong. Gaddis describes here a fundamental shift.


It is exactly in this field of tension that the work of Ryan Cullen operates. The difference between original and copy does not lie in the image itself, but in the system that recognises…

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Rue Ravenstein 37, 1000 Bruxelles, Belgium
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verified Complete entry
Created by liquid on Apr 02, 2026 at 10:00
Edited by liquid on Apr 02, 2026 at 10:33
Edits: 3
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Recognitions
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Photo: Fabrice Schneider / Courtesy: KIN
SOLO EXHIBITIONON VIEW

Recognitions

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Press Release

“‘That romantic disease, originality, all around we see originality of incompetent idiots, they could draw nothing, paint nothing, just so the mess they make is original . . . Even two hundred years ago who wanted to be original, to be original was to admit that you could not do a thing the right way, so you could only do it your own way.’”


In 1955 the novel The Recognitions by William Gaddis appeared. At its centre stands a painter, Wyatt Gwyon, who produces technically perfect paintings in the style of the Flemish Old Masters. His works circulate successfully on the art market: collectors buy them, dealers sell them, experts admire them. And yet they are considered forgeries. Not because the painting itself is bad, but because the name underneath is wrong. Gaddis describes here a fundamental shift.


It is exactly in this field of tension that the work of Ryan Cullen operates. The difference between original and copy does not lie in the image itself, but in the system that recognises…

More expand_more
Exhibition Space
View exhibitionspace
Rue Ravenstein 37, 1000 Bruxelles, Belgium
View all exhibitions in... Brussels, BE
Represent KIN? Claim your institution page, lock edits to your exhibitions, and track audience engagement across your full program.
Artwork Checklist
View artwork
Ryan Cullen
View artwork
Ryan Cullen
View artwork
Ryan Cullen
More
More Exhibitions at KIN
View exhibition
Jan 16, 2026 — Feb 21, 2026
KINBrussels, BE
View exhibition
Sep 04, 2025 — Oct 18, 2025
KINBrussels, BE
View exhibition
Jun 05, 2025 — Jul 19, 2025
KINBrussels, BE
View exhibition
Nov 22, 2024 — Jan 11, 2025
KINBrussels, BE
Similar Exhibitions
View exhibition
Feb 26, 2026 — Mar 28, 2026
BEIGEBrussels, BE
View exhibition
Jan 16, 2026 — Feb 21, 2026
dépendanceBrussels, BE
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Oct 31, 2025 — Jan 31, 2026
Mendes Wood DMBrussels, BE
View exhibition
Nov 27, 2025 — Jan 17, 2026
Gauli ZitterBrussels, BE
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Guestbook
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Metadata
verified Complete entry
Created by liquid on Apr 02, 2026 at 10:00
Edited by liquid on Apr 02, 2026 at 10:33
Edits: 3
Views:
Claims
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