Claiming space, without ever taking space from space
Kebbel Villa•Sep 15, 2024 — Oct 27, 2024
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In her first solo exhibition in Bavaria, Berlin-based sculptor Madeleine Boschan is showing a combination of three of her elemental work groups, which are interacting with each other and were created especially for the exhibition space.
Boschan’s sculptures, with their minimal, geometric, architectural appearance, are based on the relationship between the body and space and are both imaginary and real places of social encounter and interaction. For the past decade, the sculptor has been exploring the architectural principle of the passage and the transitory relationship between inside and outside.
The sculpture, ‘Claiming space without ever taking space from space’, created this year, is also in keeping with the exhibition’s title – a line taken from Rainer-Maria Rilke’s poem ‘The Rose Bowl’ (1907), which not only symbolizes Rilke’s fresh view of things gained from his experiences with Rodin but also gives a special meaning to the ‘sculptural thing’, detaching it from conventional…
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Claiming space, without ever taking space from space
Kebbel Villa•Sep 15, 2024 — Oct 27, 2024
Press Release
In her first solo exhibition in Bavaria, Berlin-based sculptor Madeleine Boschan is showing a combination of three of her elemental work groups, which are interacting with each other and were created especially for the exhibition space.
Boschan’s sculptures, with their minimal, geometric, architectural appearance, are based on the relationship between the body and space and are both imaginary and real places of social encounter and interaction. For the past decade, the sculptor has been exploring the architectural principle of the passage and the transitory relationship between inside and outside.
The sculpture, ‘Claiming space without ever taking space from space’, created this year, is also in keeping with the exhibition’s title – a line taken from Rainer-Maria Rilke’s poem ‘The Rose Bowl’ (1907), which not only symbolizes Rilke’s fresh view of things gained from his experiences with Rodin but also gives a special meaning to the ‘sculptural thing’, detaching it from conventional…
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