Articulations of Desire, Vol. 2
House Of Chappaz•May 23, 2025 — Aug 08, 2025
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C. DELPHINIUM DAYS
“...como se hace siempre. ¿Siempre.... Creo que sí... ¿O fuimos nosotros los primeros a quienes
ocurría aquello?”
Agustín GÓMEZ ARCOS, El cordero carnívoro, 1975
We know that language shapes thought, and therefore the way we perceive “reality.” Perhaps that’s why we’ve been so concerned with concealing its meanings, with building codes that allow us to create other realities or to preserve territories that would otherwise be destroyed.
One of the methods used during the Victorian era to encrypt communication was floriography. Flowers allowed for the sending of seemingly coded messages that all speakers of that language could decipher. All the communities mentioned earlier have been forced to “speak the language of the enemy,” while constructing codes that allowed them to exist within a reality parallel to the hostile environment surrounding them. Words that enabled the formation of communities.
“The...More
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Articulations of Desire, Vol. 2
House Of Chappaz•May 23, 2025 — Aug 08, 2025
Press Release
C. DELPHINIUM DAYS
“...como se hace siempre. ¿Siempre.... Creo que sí... ¿O fuimos nosotros los primeros a quienes
ocurría aquello?”
Agustín GÓMEZ ARCOS, El cordero carnívoro, 1975
We know that language shapes thought, and therefore the way we perceive “reality.” Perhaps that’s why we’ve been so concerned with concealing its meanings, with building codes that allow us to create other realities or to preserve territories that would otherwise be destroyed.
One of the methods used during the Victorian era to encrypt communication was floriography. Flowers allowed for the sending of seemingly coded messages that all speakers of that language could decipher. All the communities mentioned earlier have been forced to “speak the language of the enemy,” while constructing codes that allowed them to exist within a reality parallel to the hostile environment surrounding them. Words that enabled the formation of communities.
“The...More