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Hoffman Donahue is pleased to present an exhibition of new work by Monica Majoli. Majoli’s practice is defined by endurance. Specific bodies of work extend for nearly a decade at a time, sustained with what she has described as a monogamous focus. Deeply committed to analog, individualized, and meticulous material processes, her career can be mapped through a sequence of series — untitled works, Rubbermen, Black Mirror, Untitled (Pam), and Blueboys. Across these projects, Majoli consistently works to destabilize singular categorization in the realm of sexuality and gender, approaching the psychological charge of intimacy with material precision.
For almost twenty years, Majoli avoided depictions of women because of the fraught precedent of objectification. Representation, in her practice, is never straightforward. It becomes a site where desire, memory, absence, and projection converge. This often involves restoring context to the subjects she portrays, allowing the images to hold…
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Press Release
Hoffman Donahue is pleased to present an exhibition of new work by Monica Majoli. Majoli’s practice is defined by endurance. Specific bodies of work extend for nearly a decade at a time, sustained with what she has described as a monogamous focus. Deeply committed to analog, individualized, and meticulous material processes, her career can be mapped through a sequence of series — untitled works, Rubbermen, Black Mirror, Untitled (Pam), and Blueboys. Across these projects, Majoli consistently works to destabilize singular categorization in the realm of sexuality and gender, approaching the psychological charge of intimacy with material precision.
For almost twenty years, Majoli avoided depictions of women because of the fraught precedent of objectification. Representation, in her practice, is never straightforward. It becomes a site where desire, memory, absence, and projection converge. This often involves restoring context to the subjects she portrays, allowing the images to hold…
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More Exhibitions at Hoffman Donahue
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