Anti-Gravity / Kim Kardashian‘s Donald Judd Front Shelf Chair 84-6 / The Horror, The Horror
Halle Nord•May 29, 2026 — Jul 11, 2026
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ANTI-GRAVITY:
On the occasion of her first institutional solo exhibition, Song Ruijin unfolds a world in which points of reference collapse: the sky becomes ground, the interior merges with the exterior. Bringing together a new series of paintings and ceramic sculptures within a site-specific installation, the artist constructs an unstable universe populated by emojis that evoke the alienation of individuals and, more broadly, the absurdity of the world within the context of digital capitalism, closely tied to information overload and visual overstimulation. Through a syncretic visual language, combining accumulations of imagery that are at times reassuring and at others anxiety-inducing, Song Ruijin proposes a sensory and intuitive experience in which the human and non-human creatures she depicts appear subjected to logics of exploitation and control that permeate our everyday environments.
BIOGRAPHY:
Song Ruijin (*2003, Kunming, China; lives and works between Geneva and Paris) develops…
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Anti-Gravity / Kim Kardashian‘s Donald Judd Front Shelf Chair 84-6 / The Horror, The Horror
Halle Nord•May 29, 2026 — Jul 11, 2026
Press Release
ANTI-GRAVITY:
On the occasion of her first institutional solo exhibition, Song Ruijin unfolds a world in which points of reference collapse: the sky becomes ground, the interior merges with the exterior. Bringing together a new series of paintings and ceramic sculptures within a site-specific installation, the artist constructs an unstable universe populated by emojis that evoke the alienation of individuals and, more broadly, the absurdity of the world within the context of digital capitalism, closely tied to information overload and visual overstimulation. Through a syncretic visual language, combining accumulations of imagery that are at times reassuring and at others anxiety-inducing, Song Ruijin proposes a sensory and intuitive experience in which the human and non-human creatures she depicts appear subjected to logics of exploitation and control that permeate our everyday environments.
BIOGRAPHY:
Song Ruijin (*2003, Kunming, China; lives and works between Geneva and Paris) develops…
Exhibition Space
Links
Curator
More Exhibitions at Halle Nord
Guestbook
Metadata
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