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Halle für Kunst Lüneburg is turning 30. To conclude its anniversary programme, Samuel Bich’s solo exhibition combines archival research, artistic practice and institutional critique. Based on a comprehensive inventory, the artist initiates a series of interventions that question the conditions of production and presentation of contemporary art. In this way, he makes the temporal, spatial, material and personal resources of the Kunstverein visible.
The artist approached Halle für Kunst Lüneburg via ist archival holdings. With his work "Archiv / Archive" (2025), Samuel Bich assigns the institution’s history a permanent space and a sustainable organisational structure that remain in place beyond the duration of the exhibition. To this end, he installed a shelving and lighting system in which documents are not only stored but also made accessible and usable as source material. By tracing connections as well as gaps, Bich opens up new perspectives within and beyond the archive.
In the course…
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Press Release
Halle für Kunst Lüneburg is turning 30. To conclude its anniversary programme, Samuel Bich’s solo exhibition combines archival research, artistic practice and institutional critique. Based on a comprehensive inventory, the artist initiates a series of interventions that question the conditions of production and presentation of contemporary art. In this way, he makes the temporal, spatial, material and personal resources of the Kunstverein visible.
The artist approached Halle für Kunst Lüneburg via ist archival holdings. With his work "Archiv / Archive" (2025), Samuel Bich assigns the institution’s history a permanent space and a sustainable organisational structure that remain in place beyond the duration of the exhibition. To this end, he installed a shelving and lighting system in which documents are not only stored but also made accessible and usable as source material. By tracing connections as well as gaps, Bich opens up new perspectives within and beyond the archive.
In the course…
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