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Frequency often feels like a precondition for certainty. A little like a refrigerator lined with cans of cola. A lot of something becomes a sort of stable affirmation of its belonging. But it also has a more aimless quality. The bargain bin at a discount store – a strange circumstantial pile, both full and empty at the same time. A different kind of proliferation, one that doesn’t necessarily dispense validation.
These vitrines house rubber facsimiles of ordinary objects. Partially filled boxes give structure to a haphazard arrangement of hollow cast forms. Braided belts, boat shoes, t-shirts, hats and high heels press against each other and their containers. They are loose ensembles that accessorize and characterize – costumes for everyday life, a kind of quotidian Comic Con. Larping to school, or to work, or to wherever else we pass the time. Main characters ready to save the day in their fetishistic approach to normalcy.
Opposite is an arrangement of negative...More
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Frequency often feels like a precondition for certainty. A little like a refrigerator lined with cans of cola. A lot of something becomes a sort of stable affirmation of its belonging. But it also has a more aimless quality. The bargain bin at a discount store – a strange circumstantial pile, both full and empty at the same time. A different kind of proliferation, one that doesn’t necessarily dispense validation.
These vitrines house rubber facsimiles of ordinary objects. Partially filled boxes give structure to a haphazard arrangement of hollow cast forms. Braided belts, boat shoes, t-shirts, hats and high heels press against each other and their containers. They are loose ensembles that accessorize and characterize – costumes for everyday life, a kind of quotidian Comic Con. Larping to school, or to work, or to wherever else we pass the time. Main characters ready to save the day in their fetishistic approach to normalcy.
Opposite is an arrangement of negative...More
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More Exhibitions at Gauli Zitter
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