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The Harlequin’s Dog

The Harlequin’s Dog
The Harlequin’s Dog
The Harlequin’s Dog
The Harlequin’s Dog
The Harlequin’s Dog
The Harlequin’s Dog
The Harlequin’s Dog
The Harlequin’s Dog
The Harlequin’s Dog
The Harlequin’s Dog
The Harlequin’s Dog
The Harlequin’s Dog
The Harlequin’s Dog
The Harlequin’s Dog
The Harlequin’s Dog
The Harlequin’s Dog
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Press Release

The Harlequin’s Dog brings into dialogue the work of Amy Sillman, Clément Rodzielski, and Étienne-Martin, drawing on the figure of Harlequin as an unstable structure defined by fragmentation, the shifting of roles, and the multiplication of identities.

Across the three artists, each practice unfolds not through linear development but through displacement, assemblage, and reconfiguration. This logic produces forms in which figural identity remains unpredictable, continually interlacing between figuration, abstraction, and theatricality.

The title emerges from a set of cross-references: Étienne-Martin’s sculpture Arlequin ou Novalis, made towards the end of his life, and the marginal, almost indiscernible presence of a dog hidden behind a figure dressed as Harlequin in Pablo Picasso’s Three Musicians (1921). These elements function as indices of a construction of the image in which the relations between centre and periphery, figure and background, color and form, and even animal and…

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Exhibition Space
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10 Rue Charlot, 75003 Paris, France
View all exhibitions in... Paris, FR
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Created by chartinamart on Jun 28, 2026 at 18:05
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The Harlequin’s Dog
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Photo: Jiayun Deng / Courtesy: Galerie Chantal Crousel
GROUP EXHIBITIONON VIEW

The Harlequin’s Dog

Sign up free to get notified about exhibitions
Press Release

The Harlequin’s Dog brings into dialogue the work of Amy Sillman, Clément Rodzielski, and Étienne-Martin, drawing on the figure of Harlequin as an unstable structure defined by fragmentation, the shifting of roles, and the multiplication of identities.

Across the three artists, each practice unfolds not through linear development but through displacement, assemblage, and reconfiguration. This logic produces forms in which figural identity remains unpredictable, continually interlacing between figuration, abstraction, and theatricality.

The title emerges from a set of cross-references: Étienne-Martin’s sculpture Arlequin ou Novalis, made towards the end of his life, and the marginal, almost indiscernible presence of a dog hidden behind a figure dressed as Harlequin in Pablo Picasso’s Three Musicians (1921). These elements function as indices of a construction of the image in which the relations between centre and periphery, figure and background, color and form, and even animal and…

More expand_more
Exhibition Space
View exhibitionspace
10 Rue Charlot, 75003 Paris, France
View all exhibitions in... Paris, FR
Represent Galerie Chantal Crousel? Claim your institution page, lock edits to your exhibitions, and track audience engagement across your full program.
More Exhibitions at Galerie Chantal Crousel
View exhibition
Apr 25, 2026 — May 28, 2026
Galerie Chantal Crousel10 Rue Charlot, 75003 Paris, France
View exhibition
Mar 13, 2026 — Apr 18, 2026
Galerie Chantal Crousel10 Rue Charlot, 75003 Paris, France
View exhibition
Jan 30, 2026 — Mar 07, 2026
Galerie Chantal Crousel10 Rue Charlot, 75003 Paris, France
View exhibition
Oct 20, 2025 — Nov 22, 2025
Galerie Chantal Crousel10 Rue Charlot, 75003 Paris, France
View exhibition
Sep 06, 2025 — Oct 09, 2025
Galerie Chantal Crousel10 Rue Charlot, 75003 Paris, France
More
Guestbook
All comments: 0
Nobody has signed the guestbook yet. Want to be the first to leave a comment?
Metadata
verified Complete entry
Created by chartinamart on Jun 28, 2026 at 18:05
Edits: 0
Views:
Claims
Did your venue host this exhibition? , and you'll gain exclusive control of this page.
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