Lobster and shrimp on my plate, I need my pockets so fat they inflate (Vol. 4: Back of the Kitchen)
Dürst Britt & Mayhew•May 02, 2026 — Jun 21, 2026
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"Lobster and shrimp on my plate, I need my pockets so fat they inflate" is a collaborative project by artists Robin Phoenix Whitehouse (UK) and Todor Rabadzhiyski (BG) that started in 2021 and delves into the culture and changing economy associated with lobsters.
In the fourth showcase (Vol. 4: Back of the Kitchen) of their ongoing project the artists look specifically at the moment the lobster enters the restaurant kitchen, tracing the transformation of a sea creature into a symbol of status and celebration. Thereto they have transformed the Frontspace of the gallery into the back of a kitchen, framed from the artists' own roles during spells of time working at Bistro-mer, a renowned seafood restaurant in The Hague.
In the kitchen, the lobster loses all dignity; there, the lobster is not a symbol, but a product. It is chilled, moved, prepared. These actions are repetitive and often invisible. They form the basis of a system in which the end product takes centre stage. Of course, before…
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Lobster and shrimp on my plate, I need my pockets so fat they inflate (Vol. 4: Back of the Kitchen)
Dürst Britt & Mayhew•May 02, 2026 — Jun 21, 2026
Press Release
"Lobster and shrimp on my plate, I need my pockets so fat they inflate" is a collaborative project by artists Robin Phoenix Whitehouse (UK) and Todor Rabadzhiyski (BG) that started in 2021 and delves into the culture and changing economy associated with lobsters.
In the fourth showcase (Vol. 4: Back of the Kitchen) of their ongoing project the artists look specifically at the moment the lobster enters the restaurant kitchen, tracing the transformation of a sea creature into a symbol of status and celebration. Thereto they have transformed the Frontspace of the gallery into the back of a kitchen, framed from the artists' own roles during spells of time working at Bistro-mer, a renowned seafood restaurant in The Hague.
In the kitchen, the lobster loses all dignity; there, the lobster is not a symbol, but a product. It is chilled, moved, prepared. These actions are repetitive and often invisible. They form the basis of a system in which the end product takes centre stage. Of course, before…


































































