We'll understand it when we're older
Clubhouse•Feb 18, 2026 — Mar 15, 2026
Guestbook
Press Release
“Life can only be understood backwards; but it must be lived forwards.”
Søren Kierkegaard
This exhibition marks the first two-person presentation of works by Alicia Adamerovich and Christopher Daharsh, and their first exhibition in Wellington. Married and based in New York, the artists share a daily proximity that quietly informs their practices. Created in close dialogue, the paintings and works on paper gathered here reflect a period of personal and environmental transition.
The title, We’ll Understand It When We’re Older, gestures toward deferred clarity — the recognition that certain emotional states only fully reveal themselves in retrospect. Developed during a time of relocation and altered domestic rhythms, the works consider how interior psychological experience shifts alongside changes in landscape and season. Abstraction becomes a way of holding what language cannot yet resolve.
For this body of work, Adamerovich looked to artists such as Arshile Gorky and Arthur Dove — not as…
Exhibition Space
Links
Metadata
Claims

We'll understand it when we're older
Clubhouse•Feb 18, 2026 — Mar 15, 2026
Press Release
“Life can only be understood backwards; but it must be lived forwards.”
Søren Kierkegaard
This exhibition marks the first two-person presentation of works by Alicia Adamerovich and Christopher Daharsh, and their first exhibition in Wellington. Married and based in New York, the artists share a daily proximity that quietly informs their practices. Created in close dialogue, the paintings and works on paper gathered here reflect a period of personal and environmental transition.
The title, We’ll Understand It When We’re Older, gestures toward deferred clarity — the recognition that certain emotional states only fully reveal themselves in retrospect. Developed during a time of relocation and altered domestic rhythms, the works consider how interior psychological experience shifts alongside changes in landscape and season. Abstraction becomes a way of holding what language cannot yet resolve.
For this body of work, Adamerovich looked to artists such as Arshile Gorky and Arthur Dove — not as…





















