It’s a Pink Area
Casa São Roque•Apr 11, 2026 — Oct 04, 2026
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Everything has edges. Has contours. An object or an image always begins somewhere and ends somewhere else, rubbing into whatever is nearby on either side. These edges indicate the area where something meets its own exterior, its points of contact with all that it isn’t.
By everything I mean not just objects and images but sounds, bodies, colors, words, ideologies, ideas. And by edges, I don’t just mean physical ones but conceptual, political, or emotional ones as well. These are not firm borders but the endlessly shifting set of parameters that we use to distinguish one object, idea, agenda, or emotion from another.
An artist’s work, or at least one way to think about an artist’s work, is to sharpen these edges and rub one into another in ways that make each one bend, shift, or vibrate. Duchamp, for example, looked at the edges that separate “art” from “not-art” and made artworks that re-adjusted what both might mean. Rothko looked at red and orange. Caravaggio looked at light and dark.…
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It’s a Pink Area
Casa São Roque•Apr 11, 2026 — Oct 04, 2026
Press Release
Everything has edges. Has contours. An object or an image always begins somewhere and ends somewhere else, rubbing into whatever is nearby on either side. These edges indicate the area where something meets its own exterior, its points of contact with all that it isn’t.
By everything I mean not just objects and images but sounds, bodies, colors, words, ideologies, ideas. And by edges, I don’t just mean physical ones but conceptual, political, or emotional ones as well. These are not firm borders but the endlessly shifting set of parameters that we use to distinguish one object, idea, agenda, or emotion from another.
An artist’s work, or at least one way to think about an artist’s work, is to sharpen these edges and rub one into another in ways that make each one bend, shift, or vibrate. Duchamp, for example, looked at the edges that separate “art” from “not-art” and made artworks that re-adjusted what both might mean. Rothko looked at red and orange. Caravaggio looked at light and dark.…























































































































