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Capsule is pleased to present Silent Permeation, Cheng Chit Yan’s (b. 1999 in Hong Kong, China; lives and works in Hong Kong) first solo exhibition at the gallery, opening on January 17 and on view through February 28, 2026.
The exhibition is not a loud declaration, but a soft murmur that lingers. Through nine new paintings, Cheng invites us into the quiet, liminal spaces that exist between journey and arrival, observation and absorption, the self and the landscape. She articulates the weight of one’s own perceptions and the tender ache of being simultaneously connected to and separated from the world. Cheng positions herself and her viewer as modern-day flâneurs—not the detached 19th-century strollers, but contemporary wanderers whose travel is as much internal as geographical.
The exhibition constructs a fragmented world built on boundaries and magic realism. In Cheng’s visual lexicon, windows, aquariums, fences, and the very surface of the canvas are not merely frames but…
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Press Release
Capsule is pleased to present Silent Permeation, Cheng Chit Yan’s (b. 1999 in Hong Kong, China; lives and works in Hong Kong) first solo exhibition at the gallery, opening on January 17 and on view through February 28, 2026.
The exhibition is not a loud declaration, but a soft murmur that lingers. Through nine new paintings, Cheng invites us into the quiet, liminal spaces that exist between journey and arrival, observation and absorption, the self and the landscape. She articulates the weight of one’s own perceptions and the tender ache of being simultaneously connected to and separated from the world. Cheng positions herself and her viewer as modern-day flâneurs—not the detached 19th-century strollers, but contemporary wanderers whose travel is as much internal as geographical.
The exhibition constructs a fragmented world built on boundaries and magic realism. In Cheng’s visual lexicon, windows, aquariums, fences, and the very surface of the canvas are not merely frames but…




















































