wunderkammer
Blue Heights Arts & Culture•Feb 14, 2026 — Mar 08, 2026
Artist
Similar Exhibitions
Guestbook
Press Release
Presented by Del Vaz Projects and OKEY DOKEY KONRAD FISCHER, wunderkammer is an installation by Rita McBride at Blue Heights Arts & Culture—located at the house that the architect Richard Neutra designed for the German-Jewish émigré, artist/art collector, dealer, and educator Galka Scheyer in 1934. wunderkammer begins with McBride clearing space in her studio to create a singular, novel artwork. The circumstance of this rearrangement results in an amalgamation of past and in-process works hung and placed randomly. Situated similarly in this domestic setting (without chronology, rhythm, or reason), McBride’s works—often engaging civic space, urban infrastructure, and industrial fabrication—mold into compartmental, eclectic fixtures. While every element originates from a specific point in the evolution of her practice, here, each piece functions as a neighbor—relevant in its immediate relation to the artwork that it surrounds and the architecture that surrounds it. Moving from one…
Exhibition Space
Metadata
Claims

wunderkammer
Blue Heights Arts & Culture•Feb 14, 2026 — Mar 08, 2026
Press Release
Presented by Del Vaz Projects and OKEY DOKEY KONRAD FISCHER, wunderkammer is an installation by Rita McBride at Blue Heights Arts & Culture—located at the house that the architect Richard Neutra designed for the German-Jewish émigré, artist/art collector, dealer, and educator Galka Scheyer in 1934. wunderkammer begins with McBride clearing space in her studio to create a singular, novel artwork. The circumstance of this rearrangement results in an amalgamation of past and in-process works hung and placed randomly. Situated similarly in this domestic setting (without chronology, rhythm, or reason), McBride’s works—often engaging civic space, urban infrastructure, and industrial fabrication—mold into compartmental, eclectic fixtures. While every element originates from a specific point in the evolution of her practice, here, each piece functions as a neighbor—relevant in its immediate relation to the artwork that it surrounds and the architecture that surrounds it. Moving from one…




















































































