At Art Space Border (예술공간 보더), Zhu Jinkun brings together three interconnected bodies of work, "World Web Wrapper series", "Scenery Supplier series", and "ToDay", to examine how images, objects, and artistic identities are produced through systems of fiction, packaging, and circulation. "World Web Wrapper series" consists of AI-generated posters for films that do not exist, treating “a single image and a title” as the minimum unit of cinematic narrative. Drawing on hormonal impulses, lowbrow taste, cheap drama, desire, violence, romance, heroism, and catastrophe, the works use exaggerated imagery and displaced cultural signs to activate the viewer’s accumulated memories of cinema, advertising, video games, and internet culture. Rather than illustrating complete stories, the posters provide compressed narrative triggers from which characters, conflicts, and fictional worlds can be mentally reconstructed. In front of them, "Scenery Supplier series" transforms packaging and shopping…