Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
Untitled (A Love Song)
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Press Release

In “Untitled (A Love Song)”, Christian Naujoks’s practice finds resonance with works by Heike-Karin Föll and Erika Landström. Notation, text, rhythm, and sound—the core components of love songs—appear and reappear in various works in the exhibition. The desire for an unspecified other is (in)audibly conveyed within them: They betray cautious gestures of affection and withdrawal, of approaching but also retreating.

The point of departure for “Untitled (A Love Song)” is Christian Naujoks’s research on hearing impairments, which are made productive as compositional principles. Building on Pauline Oliveros’s (1932-2016) “Sonic Meditations”, which establish empathic and precise listening as a practice for art and life, Naujoks stresses the potential of resistance within an ever-fractured corporality. Fragility is interpreted as a distinctive quality. Conventional notions of illness are replaced by new scales of ability. Meanwhile, rehearsal as a methodology of repetition gains a particular…

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Kressengartenstraße 2, 90402 Nürnberg, Germany
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Created by brap on May 18, 2025 at 13:49
Edited by heavy_rush on May 18, 2025 at 13:49
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Untitled (A Love Song)
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Photo: Lukas Pürmayr / Courtesy: Kunstverein Nürnberg
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Press Release

In “Untitled (A Love Song)”, Christian Naujoks’s practice finds resonance with works by Heike-Karin Föll and Erika Landström. Notation, text, rhythm, and sound—the core components of love songs—appear and reappear in various works in the exhibition. The desire for an unspecified other is (in)audibly conveyed within them: They betray cautious gestures of affection and withdrawal, of approaching but also retreating.

The point of departure for “Untitled (A Love Song)” is Christian Naujoks’s research on hearing impairments, which are made productive as compositional principles. Building on Pauline Oliveros’s (1932-2016) “Sonic Meditations”, which establish empathic and precise listening as a practice for art and life, Naujoks stresses the potential of resistance within an ever-fractured corporality. Fragility is interpreted as a distinctive quality. Conventional notions of illness are replaced by new scales of ability. Meanwhile, rehearsal as a methodology of repetition gains a particular…

More expand_more
Exhibition Space
View exhibitionspace
Kressengartenstraße 2, 90402 Nürnberg, Germany
View all exhibitions in... Nuremberg, DE
Represent Kunstverein Nürnberg? Claim your institution page, lock edits to your exhibitions, and track audience engagement across your full program.
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Through Apr 19, 2026
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May 25, 2025 — Jul 07, 2025
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Nov 29, 2024 — Mar 03, 2025
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Metadata
verified Complete entry
Created by brap on May 18, 2025 at 13:49
Edited by heavy_rush on May 18, 2025 at 13:49
Edits: 1
Views:
Claims
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