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“When we imitate, we transfer not only the demands for creative activity but also the responsibility for the action from ourselves to another.”
–George Simmel, Philosophy of Fashion, 1905
Integrating the violence of the scene, the gaze and the pose into the general economy of the image, Azize Ferizi’s work is founded in a structural approach to painting and clothing. Within this, fashion serves as a model for notions of belonging as the expression of a hierarchical society.
Her exhibition is made up of two ensembles. Outside the curtain, the motif of a bust is repeated across eighteen paintings on paper, with a series of different patterns cut. Reminiscent of preparatory work for a collection, the palette draws from a swatch of 110 colours developed by the artist for the work. Blocks of colour appear side by side in each painting, without any mixing taking place. The figure seen from the back both resists representation and offers itself to abstraction....More
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Press Release
“When we imitate, we transfer not only the demands for creative activity but also the responsibility for the action from ourselves to another.”
–George Simmel, Philosophy of Fashion, 1905
Integrating the violence of the scene, the gaze and the pose into the general economy of the image, Azize Ferizi’s work is founded in a structural approach to painting and clothing. Within this, fashion serves as a model for notions of belonging as the expression of a hierarchical society.
Her exhibition is made up of two ensembles. Outside the curtain, the motif of a bust is repeated across eighteen paintings on paper, with a series of different patterns cut. Reminiscent of preparatory work for a collection, the palette draws from a swatch of 110 colours developed by the artist for the work. Blocks of colour appear side by side in each painting, without any mixing taking place. The figure seen from the back both resists representation and offers itself to abstraction....More